| 32028 |
Ahrens, H/arr: Four Historical Marches
1. March a.d. Zeit Friedrichs des Großen
2. Der Hohenfriedberger
3. Der Pappenheimer Marsch
4. Der Coburger Marsch
|
Rundel
|
$36.95 |
| 32021 |
Arnold, M: Brass Quintet Op.73 (score and parts)
|
Patterson
|
$ ask
|
| 32026 |
Bach, J.S: Air (on a G String) arranged by Antal Farkas
|
Editio Musica Budapest
|
$19.95 |
| 32001 |
Bach, J.S: Well Tempered Clavier
Arranged P.A. Sharman
Book 1
Three Fugues
No. 5 in D (transposed to C)
No. 16 in G Minor
No.18 in G# minor |
New Zealand Brass Quintet Editions |
$38.50
NOW 50% OFF
|
| 32002 |
Bac, J.S: Musical Offering
Arranged P.A. Sharman
Part 1: Ricercare a 3 |
New Zealand Brass Quintet Editions |
$38.50
NOW 50% OFF
|
| 32003 |
Bach, J.S: Musical Offering
Arranged P.A. Sharman
Part 2: Canon Perpetuus
Part 3: Three Canon Diversii
Part 4: Fuga Canonica
|
New Zealand Brass Quintet Editions |
$38.50
NOW 50% OFF
|
| 32005 |
Bach, J.S: Well Tempered Clavier
Arranged P.A. Sharman
Prelude and Fugue
Book 1 No. 4 in C# Minor (transposed to Bb minor) |
New Zealand Brass Quintet Editions |
$38.50
NOW 50% OFF
|
| 32006 |
Bach, J.S: Well Tempered Clavier
Arranged P.A. Sharman
Prelude and Two Fugues
Prelude in E Bk. 1 No. 9
Fugue in D Bk. 2 No. 5
Fugue in Eb Bk, 2 No. 7 |
New Zealand Brass Quintet Editions |
$38.50
NOW 50% OFF
|
32038
 |
Bellon, J-F: Quintet No.1
brass quintet (2111)
Small Eb-flugelhorn, cornet, horn, trombone, ophicleide
(or 2 cornets, horn, trombone, euphonium or 2 trumpets, horn, trombone, tuba)
Duration: 14'
Level: Intermediate
Composed in 1848
Genre: Romantic
Composer dates: 1795-1869
These
12 quintets, composed between 1848 and 1850, were all published in
Paris during the 1850's by Richault. The present, virtually complete
edition of the entire series - lacking only the final movement of
Quintet No. 12 - was realized thanks to the efforts of John Wallace,
Anthony George and Anthony Rickard for quintets Nos. 1, 2 and 12,
(which, together with No. 3, had been consigned to the British Library,
London) and Raymond Lapie, owner of Nos. 3, 4, 5, 6, 7, 8, 9, 10 and
11, and editor of this complete edition. Quintet No. 12 is reprinted
from a later edition dating to the final years of the 19th century, and
which appeared in full score form in the London musical review,
"Orpheus Journal".
From a musical standpoint, this new edition (Quintet No. 12 excepted)
refers and fundamentally adheres to the original printed instrumental
parts, issued without full scores in the 1850's. A full score for each
quintet has been reconstructed to permit better analysis of the music.
Only flagrant errors and a few doubtful chords have been indicated as
such and corrected.
The five instruments originally specified were: 1) a small flugelhorn
in Eb (or trumpet, or piston-valve cornet in Bb/A), 2) a piston-valve
cornet in Bb/A, 3) a horn, 4) a trombone and 5) an ophicleide (in Bb or
C). These works may be performed today on period instruments or with
modern ones, as desired; in the latter case however, it being well to
adapt the dynamics, especially if trumpets replace the cornets. The Eb
flugelhorn part, as specified and provided for by the Richault edition
already, can also be played on piston-valve cornet. The ophicleide part
is playable on tuba (preferably an F tuba) or, better still, on
euphonium or bass saxhorn.
|
Edition Bim |
$ ask
|
32039
 |
Bellon, J-F: Quintet No.2
brass quintet (2111)
Small Eb-flugelhorn, cornet, horn, trombone, ophicleide
(or 2 cornets, horn, trombone, euphonium or 2 trumpets, horn, trombone, tuba)
Duration: 14'
Level: Intermediate
Composed in 1848
Genre: Romantic
|
Edition Bim |
$ ask
|
32040
 |
Bellon, J-F: Quintet No.3
brass quintet (2111)
Small Eb-flugelhorn, cornet, horn, trombone, ophicleide
(or 2 cornets, horn, trombone, euphonium or 2 trumpets, horn, trombone, tuba)
Duration: 14'
Level: Intermediate
Composed in 1848
|
Edition Bim |
$ ask
|
32041
 |
Bellon, J-F: Quintet No.4
brass quintet (2111)
Small Eb-flugelhorn, cornet, horn, trombone, ophicleide
(or 2 cornets, horn, trombone, euphonium or 2 trumpets, horn, trombone, tuba)
Duration: 14'
Level: Intermediate
Composed in 1848
Genre: Romantic
|
Edition Bim |
$ ask
|
32042
 |
Bellon, J-F: Quintet No.5
brass quintet (2111)
(or original: Eb Fluegelhorn, cornet, trombone, ophicleide)
Duration: 14'
Level: Intermediate
Composed in 1848
Genre: Romantic
|
Edition Bim |
$ ask |
32043
 |
Bellon, J-F: Quintet No.6
brass quintet (2111)
(or original: Eb Fluegelhorn, cornet, trombone, ophicleide)
Duration: 14'
Level: Intermediate
Composed in 1848
Genre: Romantic |
Edition Bim |
$ ask
|
32044
 |
Bellon, J-F: Quintet No.7
brass quintet (2111)
(or original: Eb Fluegelhorn, cornet, trombone, ophicleide)
Duration: 14'
Level: Intermediate
Composed in 1848
Genre: Romantic |
Edition Bim |
$ ask
|
32045
 |
Bellon, J-F: Quintet No.8
brass quintet (2111)
(or original: Eb Fluegelhorn, cornet, trombone, ophicleide)
Duration: 14'
Level: Intermediate
Composed in 1848
Genre: Romantic |
Edition Bim |
$ ask
|
32046
 |
Bellon, J-F: Quintet No.9
brass quintet (2111)
(or original: Eb Fluegelhorn, cornet, trombone, ophicleide)
Duration: 14'
Level: Intermediate
Composed in 1848
Genre: Romantic |
Edition Bim |
$ ask
|
32047
 |
Bellon, J-F: Quintet No.10
brass quintet (2111)
(or original: Eb Fluegelhorn, cornet, trombone, ophicleide)
Duration: 14'
Level: Intermediate
Composed in 1848
Genre: Romantic |
Edition Bim |
$ ask |
32048
 |
Bellon, J-F: Quintet No.11
brass quintet (2111)
(or original: Eb Fluegelhorn, cornet, trombone, ophicleide)
Duration: 14'
Level: Intermediate
Composed in 1848
Genre: Romantic
|
Edition Bim |
$ ask
|
32049
 |
Bellon, J-F: Quintet No.12
brass quintet (2111)
(or original: Eb Fluegelhorn, cornet, trombone, ophicleide)
Duration: 14'
Level: Intermediate
Composed in 1848
Genre: Romantic
|
Edition Bim |
$ ask
|
32052
 |
Canadian Brass Book of Favorite Quintets
Intermediate Level.
Arranged and Edited by Walter H. Barnes
Score and Parts
|
Hal Leonard |
$105.70 |
32007
 |
Civil, A: Dance Suite
Six movements, starting with 'Quick March' which requires some fast and
neat tonguing from all the members of the quintet. 'The Polka' which
follows is full of colour and requires dexterous trumpet playing. The
third movement 'Blues' is a long way from a traditional New Orleans
blues - with its melancholy mood and Debussy like harmony it is more
like a small impressionist tone poem. 'Merry Waltz' is followed by
'Preamble', a gentle, atmospheric piece at a leisurely walking tempo.
The final movement of this suite 'Tarandtango' cleverly combines two
dances, the energetic tarantella and the elegant tango, resulting in an
exciting and virtuoso finale.
"This is virtuoso writing and music for virtuoso performers. The first
movement, 'Quick March', will require a good sense of rhythm and strong
players especially in the trumpets. It is marked at quarter note equals
160 and contains lots of sixteenth notes, which may call for double
tonguing from all players. The style will have to be crisp and light as
the mood of the music will be destroyed with heavy playing. Titled
'Polka', the second movement will again require rehearsal to bring it
off. It is in three sections, polka-trio-polka. The tuba part is not
extreme in range, but does contain some nice passages. The third
movement is called Blues, and while not extremely taxing, all
instruments play from first measure to last. The composer writes that
this movement may be left out if the players find it too tiring. 'Merry
Waltz' is the name of movement four, and like the other movements calls
for style, technique and a sense of rhythmic diversity, because the
tempo changes several times during the movement. Movement five is named
'Preamble' and is marked at a "leisurely walking tempo." Of all
movements, this is the most conservative in terms of range, tempo and
dynamics for all instruments. There are some metric changes that can be
easily handled by all. Movement six, 'Tarandtango', is marked very fast
and is a 6/8 affair with a metric change to 4/4 in the middle.
Obviously, this is a two-part tango. Players will have to have a good
sense of style to bring this movement off." Barton Cummings September
1994 |
Broadbent & Dunn |
$54.45
NOW 50% OFF
|
32029
 |
Crusell, B.H: Concerto for Brass Quintet
with French Horn solo arranged by Ifor james
|
Edition Marc Reift
|
$59.95 |
| 32020 |
Ewald, V: Three Quintets
Op. 5, Op. 6, Op. 7 Edited by Bryan Doughty
|
BVD
|
$ ask
|
| 32008 |
Farquhar: Hommage to Stravinsky |
|
$18.55 |
| 32024 |
Faure, F: Pavanne arranged for Brass Quintet by David Baldwin |
PP Music
|
$41.95 |
32009
 |
Handel, G.F: Sound an Alarm from Judas Maccabaeus.
Arranged for Brass Quintet by Karl Hinterbichler
2 Trumpets, Horn, Trombone, Tuba (opt Bass Trombone)
Judas
Maccabaeus was composed in England in the tumultuous year 1746 and was
designed as a compliment to the Duke of Cumberland for his victory over
the forces of "Bonnie Prince" Charles. The year had also proved
troublesome for Handel himself. With the increasing popularity of
opera, opposition to his oratorios had grown among his regular
high-society subscribers forcing Handel to cancel his plans for a 1746
oratorio season. With Judas Maccabaeus, Handel opened the doors to all
comers, allowing the middle classes into the concerts for the first
time alongside the high-society. The libretto was written by the
Reverend Thomas Morell and is based on the first book of Maccabees in
the Apocrypha.
'Sound an Alarm' appears in the second act. The people of
Israel have just been thrown into despair by the impending invasion of
the forces of the King of Samaria. This marvellous aria with chorus is
a call to arms to rise up and fight off the invaders. Given the
political background of the events of the time and coming at a dramatic
high point in the oratorio, it couldn't help but strike a popular and
patriotic note with the audience of the time. It is a tribute to the
music that the dramatic impact survives to this day, moving audiences
all over the world.
|
Phoenix Music Publications |
$13.95
|
32034
 |
Handel, G.F: Water Music.
Arranged for Brass Quintet by Stephen Wick
Overture, Adagio e Staccato, Allegro, Air and Hornpipe
Difficult but rewarding arrangements that require trumpet players who
can change from the B flat trumpet to the piccolo trumpet with ease. The
trombone plays 'second horn' in all the horn call type figures and the
tuba part requires some nimble playing. Stephen Wick's excellent
arrangements have been heard around the world in his performances with
the 'English Brass Ensemble'. For advanced student groups, studios and
professionals.
"This is a magnificent arrangement and one that deserves to be in the
performance folder of all brass quintets. Each movement is well put
together for the instrument combinations, and each movement has
something of interest for each player. No one will tire of playing this
arrangement. It would be a wonderful piece for a concert of brass music,
or the individual movements could be used in school concerts. Highly
recommended." Barton Cummings September 1994 |
Broadbent and Dunn |
$31.95 |
| 32018 |
Horovitz, J: Folk Song Fantasy (Just Brass No. 33)
|
Chester |
$27.95 |
| 32022 |
Horovitz, J: Music Hall Suite (score and parts)
|
Novello |
$81.95 |
| 32027 |
Khachaturian, A: Sabre Dance and Gopak arranged for Brass Quintet by Hans Ahrens
|
Rundel |
$54.95 |
32030
 |
Lehar, F: Merry Widow.
Pot Pourri for Brass Quintet
arranged by Bert Mayer. 3 1/2 "
|
Doblinger
|
$ ask |
32060
 |
Machala, M: Brass Quintet No. 1
Score and Parts
This work received the Excellence in Composition Award
at the 2008 International Brass Chamber Music Festival Composition Contest.
|
Capo Tasto Music
|
$43.95 |
32059
 |
Machala, M: Sunset Rag from Brass Quintet
Score and Parts
To Michael Ewald
|
Capo Tasto Music
|
$33.95 |
32031
 |
Maurer, L: Three Pieces
arranged by R. Nagel
New York Brass Quintet Series
Bb Cornet (Trumpet) 1, Bb Cornet (Trumpet) 2, Horn 1 in F, Horn 2 in F (or Trombone), Trombone (or Tuba)
Duration 5:40
|
Mentor Music
|
$26.95 |
| 32032 |
Maurer, L: Scherzo and Lied
arranged by R. Nagel
|
Mentor Music
|
$21.80 |
| 32033 |
Maurer, L: Four Songs
arranged by R. Nagel
|
Mentor Music
|
$27.50 |
32053
 |
Nicholls, G: Ircus MaGurcus for Brass Quintet
Australian Work
"Ircus MaGurcas originated as an impromptu bedtime story for my eldest son who was then three years old. Another son, and a few years later, the strains of "tell me another Ircus Dad" are still occasionally uttered by my youngest son, now eight.
The character Ircus MaGurcus is based on a circus clown who, with friend Fatty Bombarda, goes on a series of chaotic adventures. When the opportunity to write a lively piece of music for a brass quintet arose Ircus MaGurcus immediately sprung to mind.
Ircus MaGurcus is dedicated to his two greatest fans martin and Matthew"
1996, Duration: 2' 50" |
Keys Press
|
$16.00 |
32011
 |
Perkins, W: Greensleeves. Jazz Waltz for Brass Quintet
A light hearted, jazzed up rendition of the old favorite. Simple in
it's concept and immediately playable by every intermidiate level
quintet. Another classic and popular arrangement by Walt Perkins. |
Phoenix Music Publications |
$17.50 |
32037
 |
Rossini, G: Italian Girl in Algiers Overture
arranged by Jean-François Michel
|
Edition Marc Reift |
$52.95 |
32050
|
Simon, A: 22 Petite Pieces Volume 4 for Brass Quintet
|
Edition Bim
|
$54.95 |
32051
 |
Stanhope, D: Ceremonial Fanfares
Australian Work
Cerimonial Fanfares was commissioned by Macquarie University NSW, Australia, for the 30th anniversary of graduation ceremonies |
Southern Music |
$21.95 |
| 32025 |
Strauss, J: Beautiful Blue Danube arranged for Brass Quintet by Nathan Lee
|
Trombacor |
$41.95 |
| 32036 |
Strauss, J: Leichtes Blut Op. 319
arranged by Rudolf Korp. Score and Parts
|
Doblinger |
$42.95 |
| 32035 |
Strauss, J: Voice of Spring Op. 410 arranged by Rudolf Korp and Eric Hainzl. Score and Parts |
Doblinger |
$59.95 |
32012
 |
Turner, K: Casbah of Tetouan
2 Trumpets, Horn, Trombone, Tuba (opt Bass Trombone), Opt. Bell Tree, Tamborine
The Casbah of Tetouan was conceived during a visit to Morocco in the summer of 1988. The composer offers the following anecdote:
"As
we crossed the Straits of Gibraltar and first laid eyes on the North
African coast, I knew we were in store for an adventure! The city of
Tetouan was our destination; we were soon standing before its main
gates. As we entered the city, our senses were overrun by the many
exotic new sights, complementing the wild sounds and smells of the
bustling ancient city. After proceeding only a few feet past hobbled
live chickens, we found ourselves immersed completely in the endless,
tiny alleys of the Casbah. It was a labyrinth of tunnels and
passageways, lined with vendors and shops the size of walk-in closets.
Anything could be had, including copperware, sacks of spices and
grains, and silk. Street butchers displayed slaughtered lambs, goats
and pigs, and a snake charmer with his cobra unnerved the unwary
passerby. Somewhere around the urine-treated leather goods things began
to swim before my eyes. After I informed the guide that I was ill, a
young boy was sent to escort me to a quiet place. The boy knew every
secret passage and shortcut in the Casbah. He led me through even
tinier streets and tunnels, across nomad camps, and even through a
kitchen! We sailed through the back door of a mosque, and out the other
side. Finally we entered a large, dark and cool house, which seemed to
be some sort of palace. The boy led me to a back room and laid me down
upon a bed of large pillows. I passed out. I awoke thoroughly
disoriented. The first things I saw were six elaborately cloaked
elderly men, wildly discussing in Arabic what could possibly be wrong
with me, I heard exotic music and aromatic food assailed my senses.
After closer observation I discovered I was in a fancy restaurant,
being entertained by a belly dancer. Somehow my wife and brother found
me and we resumed our inspection of Tetouan. I still felt lightheaded
and rather doped by the "therapeutic" tea; my impressions of the city
were somewhat hallucinogenic."
|
Phoenix Music Publications |
$34.95
|
32019
 |
Turner, K: Improvisations
Commissioned in 1998 by the Quintette de Cuivre de Loraine
2 Trumpets, Horn, Trombone, Tuba (opt Bass Trombone)
I
chose the title "Improvisation" because of the circumstances in which
the piece was written. At the time of receiving the commission by the
Loraine Brass Quintet, I was doing quite a lot of traveling and didn't
always have access to a piano or keyboard. During the month of April
1998, I had several different motives bouncing around in my head. The
theme at the very opening (the listesso tempo after letter A) the
motive in the treble voices at letter B and the subsequent fugue theme
had all basically been decided on. I just needed to weave them all
together in some sort of a coherent form. I had also decided that, with
a bit of luck, the natural progression and development of these themes
could evolve into a very nice B section melody (the Andante Cantabile
after letter H). With this plan, and five days to kill in Chicago, I
set about composing the quintet. Not having any sort of keyboard
instrument at my disposal, I quite literally had to improvise and hope
for the best. About 2 weeks later, I found myself on a flight to
Melbourne, Australia via Singapore, where I had planned to stop over
for two days. It was on this flight that I had the idea for the ending
(approximately letter M to the end). So the first morning in Singapore
was spent tagging on that part of the piece.
If a jazz musician is
asked to improvise a solo during a number, he will invent variations on
the song being played and spontaneously adjust the themes and harmonies
to fit his own style, mood and capabilities. That is more or less,
exactly what I have done with this piece, hence the name IMPROVISATION.
|
Phoenix Music Publications |
$25.15 |
32013
 |
Turner, K: Kaitsenko
Duration: 12'30
Level: Intermediate-Advanced
Composed in 1991
Genre: Contemporary
Kaitsenko
was an exclusive warrior society of the Kiowa Indians. The Kaitsenko
vowed to each other to die only in battle with their enemies.
It was the desire of the composer to capture the drama of the Kaitsenko
pact. The "Song" is an authentic Indian chant pertinent to old Satank's
song of death:
"The old men say the earth only endures.
You spoke truly, you are right"
|
Edition Bim |
$61.60
NOW 50% OFF
|
32014
 |
Turner, K: Ricochet
2 Trumpets, Horn, Trombone, Tuba (opt Bass Trombone)
Ricochet
is a ten minute work for advanced quintet. A gauranteed crowd-pleaser,
it is composed of three sections which are loosely associated with the
following themes: Ricochet, Repose and Rodeo. While not being strictly
programmatic, the work captures and depicts the energy and dynamic
spirit of the people and life in the old west. Although the trumpet
parts are notated for C trumpets, Mr Turner encourages the use of other
trumpets (i.e. Bb, D, Eb or Piccolo) for sections at the discretion of
the players. |
Phoenix Music Publications |
$42.35 |
32015
 |
Turner: Soundings on 'The Erie Canal'
2 Trumpets, Horn, Trombone, Tuba (opt Bass Trombone)
"Soundings
on the Erie Canal"was composed in 1984 and is based on the well-known
American folk song "Fifteen Miles on the Erie Canal". The piece is
written to be light-hearted and fun rather than a serious addition to
the brass quintet repertoire. With the main melody, there is a lyric
counter melody. The two interact in a musical exploration of different
styles and variations, spanning from the barouque to bee-bop and jazz.
The international quotes in the middle section represent the different
nationalities of immigrants who helped build the Erie canal (chinese,
Irish and Mexican). The piece ends with an exciting Presto, which is a
variation on the main melody. Although this piece is an early work of
Mr. Turner's, it is written with the same energetic and positive spirit
which characterizes his other music.
|
Phoenix Music Publications |
$30.80 |
32016
 |
Wiggins, C: First Dance Suite.
2 Trumpets, Horn, Trombone, Tuba (opt Bass Trombone)
Christopher
Wiggins, born 1956 in England, studied composition at the Universities
of Liverpool, Leeds and London. His prolific output includes
educational, vocal, solo and orchestral music. He is becoming
internationally well-known for his wide range of music for horn. His
compositions have been performed in nearly 20 countries worldwide.
Since 1989 he has been actively involved in conducting concerts in
Estonia. Recently he has worked as Education Director of the Classic
Music Show of London and is currently studying for his Doctorate Degree
in Composition. Other compositions for horn published by Phoenix Music
Publications include a quartet for the American Horn Quartet Series
entitled "Five Miniatures" and a work for solo horn and piano "Four
Easy Sketches". He is also the featured composer in the series for
variable ensemble "Passe-partout".
|
Phoenix Music Publications |
$18.70 |
| 32017 |
Young, K: Brass Quintet No. 1 (1981)
|
New Zealand Brass Quintet Editions |
$ ask
|